Monday, 4 April 2016

PPP: Running for Editorial Officer (creating a presence around LCA)

This year I decided to run for Editorial Officer for LCA.  This meant running a campaign for myself to encourage voters and make myself aware around the college. 
Although I didn't win I feel like my promotional material was really affective. 


INITIAL IDEAS 

When I came up with the initial ideas I was very stuck on the cream/navy/crimson colours. Mostly because I wanted a vintage-esque design to go along with my campaign and to be able to use a colour scheme throughout. 



This was my first go at making a poster.  I used an existing photo of myself and traced over it in photoshop for likeness. I wanted to keep it simple so I kept to 3 colours. 
I asked some other illustrators what they thought and most of them thought that the cream pulled it down and stopped it from popping out at them. 
Other comments were that it felt very safe and stiff and it needed loosening up, so I took this on board and started to progress with the design. 

I played around with the poster design for a while, the inspiration behind it was getting people involved (having them draw something surrounding a topic or theme) whilst waiting for their lessons. Encouraging them to be creative outside of their lessons and around the college. 
I changed the colour scheme a little, keeping the dark navy (rather than using ordinary black), choosing a lighter red and a brighter yellow and scraping the cream all together. 
At first I kept the font all the same but after showing it to some classmates, they all agreed they'd rather see the hand written type in there somewhere. So I decided to add it in but also keep the type for the intro pieces. 

FINAL POSTER 

Below is the final that I took to print and put up around the college! I think that it was successful because it did get people drawing, the fashion students contributed the most (the one placed outside their rooms was "what is your most treasured possession") as theirs was completely filled (but sadly taken down before I could photograph it). Animation also contributed some very interesting stories (their topic was "the most interesting thing to happen to you"). 


DEVELOPING THE POSTCARDS 

The postcard took a little more work, I eventually scrapped the square theme I had gone with  because after looking at it it seemed to deviate from the poster too much and printing square means that I would struggle to print more than everyone else. It also didn't look like something that I would want to keep or put up on my wall (who would want a pic of my face really) so I decided that if I were to keep my tiny silhouette face it was going on the back of the postcard.. for sure! 

I carried through the picture of my face because I wanted people to stop me around college (and they did) and I wanted there to be a face behind the message. 
This was the back of the postcard, I carried across the colours from the bunting on the poster onto the back of the postcard. It made it more playful and fun. 
I printed it on A6 so I could get more for my money and although they did come out smaller than other peoples postcard I think that they did interest people (and were picked up by students). 




For the back I used the same colours but just in a marbled background pattern. I used the picture of the pencil (which was scrapped from the final poster as it caused too much cluster) and repeated it. 
Although they don't look much on screen, when they were printed glossy they actually looked very professional and vibrant. So I was pleased with them! (even if they were tiny) 



STICKER BUSINESS 

With the stickers I went through the same process as the poster and the postcard. 

Again cream was not my friend in this and it felt too sloppy. When I spoke to classmates they also felt like it didn't tie in with the rest of it (although there was a positive reaction to the pencil). 

Once I had made the poster I think it gave the rest of the campaign a direction and colour scheme. I used the same writing from the poster but transferred it across to the stickers. I also picked out the fun colours from the bunting and used those. 
I test ran my stickers and they came out well however I decided not to use them because I had so many things already printed I wanted something more tangible for the students. 
PLAN B - GOODBYE STICKER HELLO BADGE 

Here is where my plan b came into action. I decided to create clay badges instead for my campaign as I already had so much material in the posters and postcards, I wanted something that felt more personable to add to the campaign.  

I shared on my instagram  nd Facebook page to tell people where to find them. Out of all my material  the badges were the most successful. 
I left them on the barriers at Vernon Street (all were taken) and I left them in the canteen at Blenheim (all taken) . I was then contacted by other students who did not have badges asking whether there would be more and if I sell them on any sites (I currently do not but now have plans too). After speaking to other students most of them said they would buy them for £2-£3 if available which has given me some thoughts for future exhibitions. 
The clay badges were time consuming but actually very cheap to make, ordering badge backs off eBay for £2.71 and buying the clay £4 I feel like I could make a good return off these if I sold them in the future. 

Sharing on social media definitely helped my votes and although I did not win the election I still feel like it was really worth taking part in the whole running for it.  I found out what worked/ got people interested  (badges and drawing things)  and what didn't / wasn't as interesting (postcards didn't have as much impact). 

It also left me with a lot of material to start building my creative CV with. I have seen for myself people enjoy the personal touch over the general one and can now start bringing that into my creative CV work. 











Sunday, 3 April 2016

PPP: Creative Presence Meeting

Notes from meeting with Patrick 
(group, Naomi C, Amber, Dan, Ellie, Joe) 

Who are you/ Who you are? 
Where you want to work? 
What areas, creative fields do you want to be in? 
How are you going to get there? 

Continued Professional Development 

Wordpress is a good idea, 
Theme forest is a website with good templates for wordpress 
just needs to be responsive and work on mobiles 

people/places to contact
Film production companies 
Mark Holt 
Glyn Dillon 
Comics Studios 
Indépendant Directors 
Angles and Burman (huge costume designers) 
Behind the wardrobe leeds are people that do costumes there 
Peter Goes 
Joel Collins 

Be careful about agencies 

Think about paper stock you print your cv onto/ business cards onto 
British Library - Scholasticloan (look into) 
You can sign up to more than one production company agency. 

Creative CV (first go)

SUGARCOMBE 

is
A Second Year Illustrator at Leeds College Of Art / Graduate of
A creative illustrator who thinks on their feet and has a sense of humour
Someone who enjoys drawing and discovering new things everyday    
Who aspires to work in a fun creative environment with 
like minded individuals. 


Qualifications

A BA Hons Degree in Illustration from Leeds College Of Art 

English Literature A Level A 
Media Communication A 
Graphic Communication B
French AS Level C 

Experience 

??? 
(thought bubble table poss but don't think thats happening r/n) 
(etsy shop) 
(need to put my shit in more shows) 
(god help me) 

Skill set 

making cups of tea 
singing in the shower 
taking command 
positive outlook on life (that is a skill gained) 
quick to learn 
hard worker 

References on request. 


Creative Presence: first meet

Started talking about ourselves more today and where we want to go, mostly notes on our creative presence and how to get that across/ how to start thinking about it. 

Print based and Online presence
V I S U A L   I D E N T I T Y : letterheads, creative cv, business cards
Check the Domain Name: Email through the website?: Blog On website? 

For myself, Look at the top 10 game studios, Film Production companies. Get some contacts. 
Start making the contact now. 

CV needs to be unique. It needs to be tailored to who it's going too (the organisation). 
Flexible and showing your strengths. 
Standard CV INFO : 
Name/ Address 
Contact Details 
Portfolio: Website 
Telephone number 

Your profile (useful for us but not always necessary) 
3 or 4 lines. Talk about yourself in third person. Don't mention your name. 
What do you hope to achieve? 
What are you good at? 
Write it in your own voice. 
It doesn't need to be detailed, do mention you are a graduate. 

Header "your name" 

"your profile" 

"qualifications" degree (don't have to mention the level) could mention A levels if you wanted 

"employment and experience" 
(only illustrator relevance, thought bubble, exhibitions etc). 

"Skills" (if not loads put them into experience) 

"Additional info" - REFERENCE ON ReQUEST ALWAYS 

Association Of Illustrators Talk

AOI  NOTES 



Functional Simple Professional  Formed in 1973



  • your Website, keep you blog up to date - don't keep a blog if it's slow
  • DONT have a contact form, its a barrier
  • Starting a collective is appealing for Art Directors, Commissioners.
  • Try not to be too inspired by a certain style, do not emirate them. Create your own style.
  • NURTURE personal projects, keep drawing, keep people interested.



  • Answer your own dream brief (in your personal project sketchbook)
  • If you're going to use a social media, twitter or instagram you need to be DEDICATED to it
  • Don't post until you have permission, READ your contract



  • Bechance is a project based portfolio site
  • A5 or A6 physical mailers, people love getting tangible mail
  • have it addressed to the art director, reference a piece of their existing art. Why do you want to work for them? a small handwritten note or doodle to make a connection with them.
  • Follow up with an email 3 - illustration


How to find clients?
AOI client directories
Bikinilists.com


  • do NOT blanket bomb (send out the same email to everyone)
  • DO your research, who inspires you? Find their names? Who represents them?


Register your own business!

  • For income tax within 3 months of starting
  • retain ALL receipts
  • Keep up to date accounts
  • Keep paperwork with every job(so buy a folder or whatever)
  • You can claim back money on many things
  • Tax return once a year atm but by 2020 it will be four times a year!



COPYRIGHT

  • your copyright is important over all
  • lasts for 70 years after the creators death (but the whole creators lifetime also)
  • It doesn't require a c or registration
  • independent of your individual art work
  • no copyright in a style or an idea 
  • copying a substantial part of their work infringes their copyright 
  • copying a key imaging from work no matter what the size could infringe. 


If you start to financially benefit from fan artwork you are infringing on a copyright. Photographers have copyrights too. 
copyright assignment is very rare definitely seek advice. They will own it. You can't put it in your portfolio. 

MORAL RIGHTS 

  • right of paternity, to be identified as the creator of the work 
  • right of integrate, no derogatory treatment of your work 
  • Moral rights do not apply to newspapers or magazines. 


RIGHTS ONLINE 

  • Protect your work online so you can always be identified as the author 
  • low resolution 72 dpi and name in the file name 
  • use the c symbol on every page/blog/social media 
  • No watermarking 
  • Read Terms and Conditions of the website 


CONTRACTS 
Every right to ask questions from clients. have confidence. Contracts are a huge deal. 

WHO is going to do WHAT by WHEN and for HOW MUCH. 
Instantly ask for a contract. Basic T+C's. Cancellation fees. 

Show professionalism be wary of clients, and start up businesses. 

Acceptance of commission 

  • Normally a year for small companies
  • Exclusive to the company unless otherwise stated
  • Area covered by license is important


Even something little = contract 
You don't have to sign it, the last contact sent via email is the legal biding. 

Watch out for: copyright assignments, moral rights waiver, irrevocable licenses. 

CRUCIAL CLAUSE : rejection, sub-licensing (BIG NO), cancellation, termination. 

DO NOT WORK FOR FREE


  1. Price accurately 
  2. know the details 
  3. are they uk based? 
  4. How many workers? 
  5. Usage (editorial, OOH (billboards) etc.) 
  6. Who is the company/ clientele. 
  7. License duration 
  8. Look how they are visually communicating right now 


DO NOT work on a DAY RATE 
"below the line" - flyers, internet document, newsletters. 

Self Publishers are risk clients. 
buyout - all media licenses 
no copyright assignment 

always confirm that its a time specific license and not assignment. 
Sign up to AOI for student (£55) poss in third year. 



- Bernstein and Angelie?


Anorak Talk Notes

ANORAK MAGAZINE

Anorak is an illustrated kids magazine found by Kathy Olmedillas in 2006. She visited the studio for a talk to us. 
She told us that she started Anorak in 2006 when she had got children for herself she found that finding an appropriate gender neutral magazine was practically impossible. The market was flooded by a strictly pink and blue divide  of zines with a sense of easily throw-away-ability to them (and nasty plastic toys). She saw a gap in the market for something fun and imaginative that could appeal to children in general (and parents who were sick of the cheesy magazines out there). 

She pitched to various publishers and received a resounding no from all of them, all quoting that a gender neutral magazine simply wouldn't sell in this day and age. Kathy then decided to fund the first issue herself and found that parents were buying it and enjoying it. 
She mentioned that when she was younger she enjoyed buying annuals and that there was no boy or girl specific zines back then really, she wanted Anorak to be focus on reading but discovering other things also. 

She often commissions different illustrators for every issue to do cover art and a feature, she decided that for each issue she wanted it to be a theme so often she will send the theme to the illustrator and let them create something themselves around that theme. 





I found her talk interesting, I like publishing but I am not particularly interested in childrens books but I liked learning about how she went about fixing a problem she saw in the children's market.